01 / Analog trace / Digital motion / Living archive
A living archive in which handmade marks, fragments and memories cross into animation without losing the trace of their physical origin.
Project statement
A-To-D—Analog to Digital—is the root of GabioStudio’s research: an open, evolving archive rather than a closed series.
Each work begins with a drawing, mark, texture, photograph or physical gesture. Digital tools and artificial intelligence process and animate that source, but never erase it; the original trace remains visible inside the transformation.
Movement turns the image into a form of memory. Hand and machine, imperfection and computation, private emotion and shared symbol coexist without resolving into a single language.
Organized in chapters beginning with myPOV, A-To-D continues to grow as a record of how analog experience survives—and changes—when it enters the digital present.
3 series · 21 animated works
01 / First series / Seven animated memories
myPOV is the first seven-piece series from A-To-D. Its title refers to a personal point of view: intimate, distorted, emotional and never fully objective.
Each animated work is a fragment of vision, shaped by analog marks and transformed through digital processing into a living image.
Across the seven works, myPOV explores solitude, devotion, perception, algorithmic rhythm, nocturnal imagination and the invisible forces that guide human experience. These are not fixed illustrations, but small animated memories: imperfect, symbolic and alive.
A delicate meditation on silence, memory and emotional distance. A small figure stands before the sea, holding flowers that rise like thoughts, dreams or fragile hopes. Loneliness becomes not emptiness, but inner listening: melancholic, luminous and deeply human.
A work about distance, observation and the fragile feeling of being guided—or watched—by something beyond us. The suspended eyes become silent witnesses, holding protection and uncertainty at once, while human presence appears small inside the vastness of nature.
The title merges adoration and action. A hand rises from the soil and works the ground with reverence; its fingers become silent monks before a small tree and its fruit. To cultivate is to adore, and to adore is to act.
An exploration of the boundary between intuition and calculation, chaos and structure, human gesture and mechanical logic. Algorithm bends toward rhythm: numbers become noise, diagrams become memory and computation becomes nervous, colorful, unstable and almost alive.
Two goldfish drift through a blue urban night, suspended between water and sky, as if the city had become an aquarium of memories. Lights, rain, bubbles and architecture dissolve into one fragile, surreal and luminous emotional landscape.
Forms emerge like hills, trees, bodies or clouds, but never settle into one meaning. The analog line holds the image together while color dissolves it, creating a memory that remains alive: unstable, luminous and slowly transforming.
A woman seen from behind walks through a fragile village of memory, water, silence and soft blue light. The image feels like a dream slowly surfacing from paper: a quiet world gradually revealed.
02 / Second series / The inner surface of the self
Look Inside is a subseries dedicated to the inner surface of the self.
The works explore what usually remains hidden beneath appearance: emotional noise, fragile memories, private symbols, wounds, impulses and silent disturbances. Each image becomes a psychological space where analog marks and digital movement reveal something intimate, unstable and alive.
The digital transformation does not decorate the work. It opens it, turning the image into a threshold between what is seen and what is felt.
Look Inside is not about observing the outside world. It is about entering the signals, fears, tenderness and fragments that move inside us.
A dream system made of moons, signs and hidden instructions. The image feels like a secret inner language, playful and mysterious at once: a command from the unconscious speaking through symbols, colors and fragments of memory.
A figure stands inside movement, pressure and disorientation. The clock becomes a head, a mask, almost a burden: a work about urgency, mental noise and the feeling of moving without ever truly arriving.
A quiet portrait of solitude and emotional distance. The figure turns away and almost dissolves into a blue, violet and yellow atmosphere. Feeling becomes weather, and silence becomes visible.
A warning coming from beneath the surface. Red marks move across darkness like instinct, alarm and inner electricity, capturing the moment before a thought becomes conscious.
An ordinary object becomes a small emotional ruin. The ashtray turns into a landscape of exhaustion, residue and inner consumption: thoughts burn too intensely and leave traces behind.
Love becomes signal, graffiti, repetition and interference. The word appears everywhere, unstable and alive, turning emotion into rhythm and visual vibration. Love here is not calm: it writes itself over everything.
A fragile inner child appears through color, noise and memory. The work is not only about innocence, but about something wounded, playful and still alive inside the adult self—a small signal that refuses to disappear.
03 / Third series / Private dream landscapes
Oneiric Visions is a subseries dedicated to inner visions, symbolic landscapes and dreamlike states.
These works move through childhood, memory, desire, fear, protection and imagination. Figures, cities, forests, moons, animals and signs appear like fragments from a private dream, suspended between tenderness and mystery.
The digital transformation does not erase the analog trace. It carries it into another dimension.
A soft vision of childhood, silence and hidden wonder. Pixel rabbits appear inside a digital garden among delicate lights, abstract structures and quiet eyes in the dark: tenderness, memory and secret presence.
A fragile figure stands beneath planets, circles, signs and floating lights in a blue and golden atmosphere. The work becomes a map of longing: the desire to look beyond the visible and reach another dimension through inner vision.
A work about origin, protection and inner gravity. A central figure stands inside a red emotional universe, the body becoming a vessel that carries memory, life, pressure and silent radiance—a source that contains worlds.
A work about thresholds, intimacy and hidden presence. A figure stands between softness and tension, the visible world and what remains behind. The hand is protection, fear, memory or something waiting to be seen. The image stays at the edge of the door.
A vision of hidden systems, transformation and inner awakening. A glowing figure emerges inside a green world of old monitors, jellyfish and submerged technology. It is not evolution toward the outside, but a descent inward.
A nocturnal vision of memory, solitude and urban imagination. A figure looks toward a city of lights, windows and reflections. The city seems to breathe, becoming an inner landscape made of distance, silence and light.
Two fragile figures appear inside a dense forest of green, brown and shadow, surrounded by mushrooms, branches and organic signs. The scene feels ancient and intimate, as if the forest were preserving a memory the figures cannot fully understand.