Corrupt Idols

Corrupt Idols begins where Hybrid Alchemy leaves the screen and encounters matter. It asks how artificial intelligence reads not only human intention, but a physical form shaped directly by the hand.

Each work starts as a small plasticine sculpture: pressed, marked and imperfect. After being photographed, it enters an artificial-intelligence process that does not reproduce the object faithfully, but translates it into a second body.

Corruption here is not destruction. It is the change produced by every passage: erosion in matter, alteration in data and transformation in memory.

The opening triptych, The First Matter—The First Corruption, Solar Relic and The Red Witness—forms the first ritual of the series. Matter loses its body, returns as symbol, and asks what we choose to recognize as sacred in the digital age.